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35 mm film negative VISION3 NEGATIVE FILMS
Announcing KODAK VISION3 500T Color Negative Film 5219/7219
• Technical Data (external link to KODAK.com)
• What's shooting on 5219 (external link to KODAK.com)
The next step in the evolution of motion picture film.
The first in a new family of films, KODAK VISION3 500T Color Negative Film 5219/7219 is everything you love about KODAK VISION2 Films-the overall look, the image structure- with a host of added improvements.
Advantages from capture through post. Gain more control and flexibility at every phase of the filmmaking process-in both digital and traditional workflows.
Less grain in low light. Advanced Dye Layering Technology (DLT) delivers reduced grain in shadows and higher signal-to-noise ratios when scanning low-light scenes.
Extended highlight latitude. Gives you greater flexibility when lighting extreme situations, and lets you pull even more detail out of highlights.
Whether you're behind the camera or in the postproduction suite, you can bring your project to life as never before. KODAK VISION3 500T Film. Your vision is continually evolving. Ours is, too.
VISION2 Color Negative Films
KODAK VISION2 50D 5201 / 7201
Example of Original Negative Exposure Data (external link to KODAK.com)
Technical Data (external link to KODAK.com)
Get true color, fine detail, and incredibly sharp images — even in high contrast daylight.
KODAK VISION2 50D Color Negative Film 5201 / 7201 is a low-speed daylight film with an expansive dynamic range that delivers more detail in shadow areas — even in high contrast situations. Advances in grain and sharpness — found in all VISION2 Films — make it ideal for recorder output and provide an ultra-clean, detailed image in any lighting condition.
KODAK VISION2 50D is the latest addition to the VISION2 Film family — a lineup of films created specifically for both film and digital postproduction. All VISION2 Films offer excellent tone scale and flesh-to-neutral reproduction while maintaining neutrality through the full range of exposures.
KODAK VISION2 100T 5212 / 7212
Technical Data (external link to KODAK.com)
Example of Original Negative Exposure Data (external link to KODAK.com)
The big picture and all the fine details.
KODAK VISION2 100T Color Negative Film 5212 / 7212 is the sharpest color negative motion picture film. With excellent flexibility and extremely fine grain, VISION2 100T Film offers clean and crisp images. And now, 100T Film also includes superior VFX capabilities. So you can shoot all your scenes for digital compositing on the same stock.
The VISION2 Film family is the first line of products created specifically for both film and digital postproduction. What’s more, all VISION2 Films provide excellent tone scale and flesh-to-neutral reproduction. With superior shadow and highlight detail and very fine grain. VISION2 Films also maintain neutrality through the full range of exposure. So you can convey exactly the look you intended all the way from capture to post.
KODAK VISION2 100T Film. Tell your story from the beginning to the very last detail.
KODAK VISION2 200T 5217 / 7217
Technical Data (external link to KODAK.com)
Example of Original Negative Exposure Data (external link to KODAK.com)
Practical and magical come together.
KODAK VISION2 200T Color Negative Film 5217 / 7217 is highly versatile and reliable. Offering excellent image structure under a wide variety of lighting conditions. And now 200T Film also enables you to shoot all scenes for digital compositing on the same stock. Giving you pristine edges and making VFX easier and more seamless than ever.
The VISION2 film family is the first line of products created specifically for both film and digital postproduction. What's more, all VISION2 Films provide excellent tone scale and flesh-to-neutral reproduction. With superior shadow and highlight detail and very fine grain. VISION2 Films also maintain neutrality through the full range of exposure. So you can convey exactly the look you intended all the way from capture to post.
KODAK VISION2 200T Film. Tell your whole story. Seamlessly.
KODAK VISION2 250D 5205 / 7205
Technical Data (external link to KODAK.com)
Example of Original Negative Exposure Data (external link to KODAK.com)
Give your story more detail — in any light.
KODAK VISION2 250D Color Negative Film 5205 / 7205 is an advanced, medium-speed film that delivers superior imaging in natural daylight, artificial daylight, and a variety of mixed lighting situations. Expect beautiful fleshtones, accurate color reproduction, and — thanks to its wider latitude — increased detail in shadow and highlight areas. Add seamless intercutting with other KODAK VISION2 Films and you have a versatile addition to your storytelling toolkit.
The VISION2 Film family is the first line of products created specifically for both film and digital postproduction. What's more, all VISION2 Films provide excellent tone scale and flesh-to-neutral reproduction. With superior shadow and highlight detail and very fine grain. VISION2 Films also maintain neutrality through the full range of exposure. So you can convey exactly the look you intended all the way from capture to post.
KODAK VISION2 500T 5260
Example of Original Negative Exposure Data (external link to KODAK.com)
Technical Data (external link to KODAK.com)
Blending proven performance from production to postproduction.
New KODAK VISION2 500T Color Negative Film 5260 offers benefits in both production and postproduction. This latest addition to the VISION2 Film family combines the best features from two successful product platforms. The new film’s rich, saturated color reproduction and contrast comes from the popular KODAK VISION Film family. Building on that foundation, VISION2 500T 5260 Film incorporates award-winning VISION2 Film technology, raising the bar for performance and productivity. The film’s finer grain makes it easier to capture shadow detail so you’ll spend less time fine-tuning low-light scenes in the postproduction suite. And improved linearity means more consistent color reproduction throughout the full range of exposures, which gives you greater flexibility in post and streamlines color correction. KODAK VISION2 500T Color Negative Film 5260. Two proven platforms. One exciting new film.
KODAK VISION2 Expression 500T 5229/7229
Technical Data (external link to KODAK.com)
Example of Original Negative Exposure Data (external link to KODAK.com)
Soft Natural Colors and Less Grain.
KODAK VISION2 Expression 500T Color Negative Film 5229 / 7229 is a low-contrast, low color film. With soft, smooth flesh tones and superb shadow detail, Expression film provides a subtle, accurate image rendition at a 500 speed. And with greatly reduced grain, more flexibility in post, and cleaner images from under-to over-exposure, Expression 500T Film is better than ever before.
The VISION2 Film family is the first line of products designed specifically for both film and digital post-production. What's more, all VISION2 Films provide natural flesh tones, very fine grain, excellent shadow and highlight detail, and maintain neutrality through the full range of exposure. So you can convey exactly the look you intended all the way from capture to post. KODAK VISION2 Expression 500T Film. Tell it exactly the way you dreamed it.
KODAK VISION2 HD Color Scan Film 5299 / 7299
Technical Data (external link to KODAK.com)
High-definition capture on a scan-only film that lets you add many KODAK Film looks with the touch of a button.
The KODAK VISION2 HD System is a hybrid solution for TV productions that offers the high-definition image capture of film in a streamlined digital workflow. The KODAK VISION2 HD System lets you match myriad KODAK Color Negative Films in tone and color using the KODAK VISION2 HD Digital Processor, making the system's workflow compare more closely to that of electronic capture. The KODAK VISION2 HD System offers real opportunities to bring greater image quality to the screen, contain costs and speed production.
A unique film you can shoot like any other.
The KODAK VISION2 HD Color Scan Film 5299 / 7299 is not a printable film. Though similar to other color negative films, it's strictly for scanning with a characterized telecine and viewing on a characterized monitor—and must be used with the KODAK VISION2 HD Digital Processor.
You'll find that 5299 / 7299 can be shot like any other stock, with some characteristics, such as shadow detail, that can be optimized by varying the rated exposure. And, because digital processing can make necessary compensations, this tungsten film can be shot outdoors without on-camera filtration.
Since the film look is created using digital image processing applied at the time of transfer, precise color and tone looks of many KODAK Films can be generated from this one stock.
Black and White Film Products
EASTMAN DOUBLE-X - 5222 / 7222
Use our highest speed (EI 200T, 250D) black & white camera negative film for both exterior and interior photography under difficult lighting conditions.
This black-and-white negative camera film is designed for general production use both outdoors and in the studio. You can also use this film for photography under dim lighting conditions and where you need greater depth of field without an increase in the illumination level.
EASTMAN DOUBLE-X Negative Film 5222 (35 mm) and 7222 (16 mm) is a high-speed, panchromatic material that has good image structure characteristics and excellent sharpness.
EASTMAN PLUS-X Negative Film 5231/7231
This low-speed (EI 64T, 80D) black & white camera negative film is suited for general production use outdoors and in the studio.
The speed and grain characteristics of EASTMAN
PLUS-X Negative Film 5231 (35 mm) and 7231 (16 mm) make it well-suited for general motion picture production- both outdoors and in the studio.
These film characteristics provide an excellent balance between the maximum desirable speed for general production work and a fine-grain negative for that speed.
The speed of this panchromatic film permits the use of small apertures, thus allowing good depth of field.
The film is also widely used for making composite projection background scenes.
